{"id":1756,"date":"2024-02-06T19:37:06","date_gmt":"2024-02-06T19:37:06","guid":{"rendered":"https:\/\/www.artnewyork.us\/?page_id=1756"},"modified":"2024-12-02T17:00:12","modified_gmt":"2024-12-02T17:00:12","slug":"unidad-3-fundamentos-del-color","status":"publish","type":"page","link":"https:\/\/www.artnewyork.us\/en\/unidad-3-fundamentos-del-color\/","title":{"rendered":"Unit 3 Fundamentals of color"},"content":{"rendered":"
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FUNDAMENTALS OF COLOR<\/strong><\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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In this unit, we will explore thoroughly the essential elements of the painting, the different types of paints available and we will guide you in the selection of the most appropriate medium for your needs. We will deepen in color theory, drawing out its components and classifications. This understanding will enable you to manipulate and create color palettes effective in your work.<\/p>

We will address the fundamental techniques of mixing and blending colors, as well as the key skills needed for the paint, getting ready in a comprehensive manner to face your art projects with confidence and creativity. Armed with this knowledge solid, you'll be ready to conceive paintings are visually striking and expressive in the rest of the course. \u00a1We hope that you enjoy and make the most of this stage of your artistic development!<\/p>

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Study the Basics of the Color and Practical Tools in a painting course is essential for several key reasons:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Basic elements of the painting<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Painting is a form of artistic expression that uses pigments and a means for capturing images on a surface. The basic elements of the painting are fundamental to the creation of works of visual impact. Here are the key elements:<\/p>

Color:<\/strong> The color is one of the most important elements in the painting. The artists use a palette of colours to convey emotions, and to set the atmosphere and create contrasts. Color theory also plays a crucial role in the combination of colors effectively.<\/p>

Shape:<\/strong> The form refers to the dimensions and contours of the objects in the painting. It can be geometric or organic and contributes to the visual composition of the work.<\/p>

L\u00ednea:<\/strong> The lines are visual elements that can be used to delineate forms, create contours or transmit movement. They can be straight, curved, long or short, and play an important role in the structure of the work.<\/p>

Texture:<\/strong> Texture refers to the appearance of the tactile surface in paint. It can be smooth, rough, rough or detailed, and adds visual interest and tactile to the work.<\/p>

Space:<\/strong> The space in the painting refers to the sense of depth and distance between the elements. Artists use techniques such as perspective and overlap to create the illusion of three-dimensional space on a two dimensional surface.<\/p>

Value:<\/strong> The value refers to the light and the darkness of the colors in a painting. The contrasts of value are essential to create depth and define forms in a work.<\/p>

Ratio:<\/strong> The proportion refers to the relationship between the different elements in a work. A good management of the proportion it contributes to the visual harmony and prevents unwanted "noise".<\/p>

Balance:<\/strong> Balance is the visual distribution of the weight and the importance of the elements in a painting. Can be symmetrical, asymmetrical or radial, and contributes to the visual stability of the work.<\/p>

Contrast:<\/strong> Contrast refers to the differences between the elements, whether in color, value, shape, or size. The contrast adds interest and emphasizes certain aspects of the work.<\/p>

Movement:<\/strong> The movement refers to the feeling of fluidity and direction in a painting. Can be achieved through diagonal lines, curves, or by using the strategic placement of elements.<\/p>

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These basic elements of the painting are combined in various ways to create visual compositions unique and expressive. Each artist can interpret and use these items in a personal way, which gives rise to a wide variety of styles and approaches to the art world.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Types of paints<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Video support thanks to the channel \u201cDiego Fernandez \u2013 Renewing with Ideas\u201d<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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BRUSH TYPES I. Brushes for oil and acrylic<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Video support thanks to the channel of the \u201cTeacher Marta Ferreras\u201d<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Color theory<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Color theory<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Color Theory encompasses a set of principles that govern the combination of colors in order to achieve desired effects. This concept is essential in a variety of disciplines visual or graphic design, painting, photography, print, and television.<\/strong><\/p>

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There is not a single Theory of the color, but several approaches come from art history, physics (optics) and various authors. One example is the proposal of Johann Wolfgang von Goethe, in his work "Theory of colours", in 1810, where he presents a circle of colour influenced by the studies of Isaac Newton. Another case is relevant is that of Wilhelm Ostwald, a chemist and German philosopher.<\/strong><\/p>

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A key element in any Theory of colour is the colour circle, a representation circular of all the colors of the visual spectrum. In this arrangement, the colours opposite face, and complementary are located close to each other. The chromatic circle facilitates the identification of primary colors pure and mixtures thereof.<\/strong><\/p>

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Within these studies of color, each color is characterized by different properties, such as the hue (or chroma), which refers to the color itself, allowing to distinguish one from another. The brightness (or value) indicates the amount of light present in the color, determining whether it is more light or dark. Finally, the saturation is related to the purity of the color, indicating the concentration of gray present in a specific time. The greater number of gray, the lower the saturation, resulting in a color that looks dirty or opaque.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Purchase this product<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mcbazel Wheel 3 guides you to blend colors, learning guide mixing paint, tool, class teaching art to makeup, table, mix, mixed colors (3 sizes)<\/span><\/h6>